Audio Mastering Studio Spec:
Listed here is the audio equipment spec found in TGM Audio’s Mastering Studio. Nice.
Nothing can handle the mids like the famous Manley Massive Passive Analogue EQ. It’s not surprising this comes with a price tag as heavy as the thing weighs. This is the ‘go to’ tool for giving new, vibrant life to the main elements across the mid-range of a mix.
The tightest lows and sparkliest highs we’ve ever heard. The Avalon 747 sp has many uses. The comp is very nice and smooth (when you get to know it). But be careful, it can bite you hard! The built in side chain is where this unit really shines. The EQ is straight forward, in a good way. Unbelievably tight in the lows, the silkiest highs and the mids are brilliantly detailed.
One of the best loved high end comps of all (a favourite amongst the top mastering engineers) the Pendulum OCL-2 can demonstrate incredible versatility for an opto compressor. From fast and aggressive, to slow and smooth, this unit can handle everything in between. This unit is used almost all of the time in one way or another.
As well as using some of the nicest analogue audio mastering gear available, we also carry out a portion of the mastering process in the digital domain. For this we use only the nicest software money can buy, Sonnox, Waves, Steinberg, Voxengo, PSP etc. Every mastering project is different, we choose the tools to suite the job, analogue, digital or both.
What’s the point in having superb analogue equipment if you can’t accurately capture the incredible detail it provides. The Prism Sound Orpheus is a well known top range converter amongst serious engineers. We’ve tried and tested other converters but after hearing this, we’ll not be changing them any time soon.
A popular choice amongst serious mastering engineers. The PMC IB1a’s may be flattering but my goodness are they detailed. The perfect combination for long hours of critical listening. Here’s their spec: PMC ATL™ (ADVANCED TRANSMISSION LINE) WITH 2 SECTIONS. 27MM TWIN CHAMBER FABRIC SOFT DOME HF WITH HIGH PERFORMANCE FERRO-FLUID COOLING. 75MM SOFT DOME MID RANGE IN ISOLATED ENCLOSURE. PMC 10” / 250MM CARBON FIBRE & NOMEX™ PISTON DRIVER. PHENOMENAL BASS RESPONSE DOWN TO 25HZ.
Complimenting the PMC’s are two Bryston PowerPac 300 Mono Amplifiers. Superior quality, modular, single-channel power amplifiers delivering 300 watts at 8 Ohms. The PowerPac 300 is essentially a monaural version of the very popular 4B SST stereo amplifier.
Your monitors are only as good as your acoustics. Ask any experienced engineer and they’ll tell you the most important thing to ‘get right’ is the space in which you are working. You can learn all about this in our dedicated chapter on studio acoustics found at MasteringTuition.com. TGM Audio Mastering is acoustically treated and calibrated to ensure accurate listening across the spectrum.
READ THE BOOK
Are you here looking for tips for doing your own mastering? Or even training to become a professional audio mastering engineer? If so, you need to read the popular, five star book on Amazon ‘Pro Audio Mastering Made Easy’ by David S Eley. It’s full of tips and concise instructions on how to master audio like the pros without buying expensive gear.
- Contains hot topics like how to get it REALLY loud and still sound spacious and dynamic.
- Reveals how a mix should sound to produce a commercial volume and radio quality master.
- Explains how psychoacoustic manipulation can be used to spread sound all around the listener.
- Provides you with everything you need to know to get your final sound as big as your fattest tune in your iTunes library.
- Not only focuses on mastering audio, but also mixing and mastering together. There is a dedicated section all about mixing and mastering.